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GLORIA ISABEL RAMOS TRIANO
COMPOSER
Silence enhances music.
Music gives silence a voice.

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GLORIA ISABEL RAMOS TRIANO

CHAMBER MUSIC COMPOSITIONS 

RECORDINGS



LA CREACIÓN MUSICAL EN CANARIAS 22
Instrumental Duos with Piano. Chambermusic Symposium from PROMUSCAN and COSIMTE.
Six Compositions from the XX Century, one of them a piece of Gloria Isabel Ramos Triano:
SONATE FOR CLARINET AND PIANO
Pier Luigi Bernhard Clarinet, Ascensión Manzano Piano

LA CREACIÓN MUSICAL EN CANARIAS 42
Pieces for SOPRANO AND PIANO, one of them from Gloria Isabel Ramos Triano, own music and own poems.
"Verano", one of the 4 pieces from  "...los colores del tiempo..."
María Orán, Soprano, Chiky Martín, Piano.
"...los colores del tiempo..."
VERANO
Music and Lyrics: Gloria Isabel Ramos Triano
MARÍA ORÁN, Soprano
CHIKY MARTÍN, Klavier

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GLORIA ISABEL RAMOS TRIANO
CONDUCTING
HER OWN COMPOSITIONS
IN CONCERT



La torre del oro

LA TORRE DEL ORO
for symphony orchestra

GLORIA ISABEL RAMOS TRIANO, COMPOSER
REAL ORQUESTA SINFÓNICA DE SEVILLA
GLORIA ISABEL RAMOS TRIANO, CONDUCTOR






PRESSCRITICS "LA TORRE DEL ORO"


REAL ORQUESTA SINFÓNICA DE SEVILLA

TEATRO DE LA MAESTRANZA

23 and 24. September 2010

« LA TORRE DEL ORO»

Premiere

Gloria Isabel Ramos Triano

Composer and conductor


New perspectives


« Nobody could have imagined that, behind this emblematic andalusian title "La torre del oro" , such an abstract composition would come to life. Composer and conductor Ramos Triano describes her music just as "eclectic", but, the present she has done to the Real Orquesta Sinfónica de Sevilla with this score, of much more carats we could have ever expected, is an example of the actual moment of musical creation, in a free atonality, with suggestiv percussionist licenses, which quietly remember to the world of typical spanish sounds of Rodrigo and Manuel de Falla"

Ismael G. Cabral, für «El correo de Andalucía”, 25. September 2010



Intense firebird


«  ... this work connects directly with the approach of almost every other european contemporary composition, but letting recognize discrete winks to the music of Manuel de Falla, like andalusian scales in the left hand of the piano, soft tremoli in the strings, the trumpet sounds with sordino, bells…»

C. Tarín, für ABC Sevilla, 25. September 2010


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Las flores del mal

LAS FLORES DEL MAL
for SOPRANO AND ENSEMBLE
Music and Lyrics: Gloria Isabel Ramos Triano
ENSEMBLE ORCAM, MADRID
Auditorio Reina Sofía
Gloria Isabel Ramos Triano, Conductor

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Abrazo del agua

ABRAZO DEL AGUA
for SOPRANO AND ORCHESTRA
Music and Lyrics: Gloria Isabel Ramos Triano
ORQUESTA DE LA RTVE., MADRID
Gabriele Maria Ronge, Soprano
Gloria Isabel Ramos Triano, Conductor

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GLORIA ISABEL RAMOS TRIANO

COMPOSITIONS

2020                 why?
                    for large symphony orchestra, 5' 40''
                         piccolo, 2 fl., 2ob., 2 b cl., basscl. in b, 2 bassoons, contrabassoon, 
                         4 horns, 3 tr., 3 tromb., 1 tuba, timpani, 3 percussionists, harp, piano, celesta, strings

2019                 ISAURA, for Choir, Coloratur Sopran and Orchestra. Lyrics from Isabel de Villamartín, a writer                             from the XIX Century. Length: ca. 19`. Orchestra: 1 Fl, 1 Ob, 2 Horns, 2 Tp, 1 Tb, 1 Tuba, Harp,                           Piano, 1 Perc, Strings.


2019                 AM MORGEN, for Choir, Oboe and Harp, with own poems. Comissioned by the Kirchenchor Fischingen, 12'


2018                 MOSNANG MESSE.  Choir, Solo Soprano, Solo Tenor, Organ, 2Tp, 1 Tb, Timpani

2015-2016        SPLENDOR SOLIS, for Solo Piano and Orchestra Work in Progress, aprox. 25 '
In one Movement.  About the Middelages Miniatures of the same name.
2 Fl (1. also Bassfl., 2. also Piccolo), 2Ob (2. also Heckelfon), 2 Kl., Fg., Kfg., 2 Hr., 2 Tp.(also Basstp.),  Percussion: 3 Piatti (all high but different), 3 Triangles (deep, middle, high), Glockenspiel, Xylofon, 3 Tom-Toms, 1 Tam-Tam, Strings divisi (6,5,4,4,2)   


2013-2014        YANG, ein liebender Ritter für Solo Violoncello und Orchester, aprox. 40'

3Fl. (3. also Piccolo)., 2Ob., EH., 2 Kl., 1BassKl., 2Fg., 1Kfg., 2Hr., 3Tp., 3 Pos., 4 Perc. (possible to divide):

                         Perc. I.:    5 Timpani and 2 Timbalets, Bass Drum, Crash Cymbal, Tam-Tams 4, 4 TomToms, Door behind the stage  violently closed (when available), Stonebowl filled with little stones

                         Perc. II:    5 Timpani and 2 Timbalets, Bass Drum, Peitsche, 4 Tam-Tams, 3 Piatti sospesi, Xylofon, 2 Crotals, 2 Handsized stones to be beated against each other, 2 small elefantbells, Stonebowl filled with little stones.

                         Perc. III:   Marimba, Glockenspiel, 2 Gongs, 2 Crotals, 2 small elefantbells, piatto sospeso, 2 Tam Tams (big and small), Chinese Cymbal coll arco, Cymbal to be beated against big bas drum, Stonebowl filled with little stones.                                     

                         Perc. IV     Vibrafon (+ 4 Crótalos),  Xylofon (+3 Triangles), 5 Cowbells, 5 Temple Blocks, 2 Gongs, Tubular bells, 2 Maracas, Pandero big, Stonebowl filled with little stones

Harp (2 if possible),

Strings, often divisi,  (12, 8, 6, 6, 4)    


2011-2013        POR ENCIMA DE LAS NUBES «Over the clouds”

                         Trio for Flute, Violoncello and Piano, aprox. 30 ‘.  Dedicated to Titá Asunción.                    

                                            Flotando
                                            Sueño
                                                                Querubines
                                            Mar de charol y oropeles
                                            Vuelo al sol


2010                 DAS GEWEIHTE MEER, for Gitar and Stringquartet. Work in Progress.


2010                 LA TORRE DEL ORO, for Orchestra 12'

                         dedicated to Sinfonie Orchestra von Sevilla.

first creation: September 2010 Orquesta Sinfónica de Sevilla, conducted by the composer herself.


2009-2010        REDES, for Orchestra, ca. 12’


2008-2009        SUPERFICIES, for Orchestra,  8’


2007                 PRELUDIO Y FUGA, for Soprano, Oboe, Violoncello and Piano. Own poems.

dedicated to the Ensemble Aequatuor.                 


2006-2007        «…los colores del tiempo…», for Soprano and Piano. Own poems. One of the pieces on CD.


2006-2007        LAS FLORES DEL MAL, for Solo Sopran and Ensemble. Own poems, aprox. 25'

first creation: Madrid, CDMC, 2008, conducted by the composer herself.


2006                 ABRAZO DEL AGUA, for Solo Soprano and Orchestra. Own poems, aprox., 14'

dedicated to the Soprano Gabriele Maria Ronge, who sang the first creation, in Madrid, Orquesta de la RTVE, December 2007, conducted by the composer herself.


2001-2006        GESTEN, for Orchestra, about poems from Rainer Maria Rilke, as inspiration source.

                                                     Prélude
                                                                             Eros
                                                                             Knabe
                                                     Jardin nocturno

       

1998-1999        VIER DUNKLE LIEDER

for Choir, Mezzo and Countertenor Soli, and Ensemble: 1 Fl., also Altflute, 1 Kl., also Altsaxofon, 1 Basskl., 2 Hr., 3 Percussionists

Poems: Ingeborg Bachmann and Georg Trakl

dedicated to the University Choir Bern. 

                                                       Schatten, Rosen, Schatten (Bachmann)
                                      Dunkel ist das Lied (Trakl)
                                      Nachtlied (Trakl)
                                      Hôtel de la Paix (Bachmann)


1996                 21 GEDICHTE VON ROBERT WALSER, for Solo Voice and Piano.

first crreation of 3 songs («Bierszene», «Der Handharfer», «Gelassenheit»: Biel, December 1996, Robert Walser Wochen, Mastercourse for composers with composer Maestro Heinz Holliger

1996                 KLAFALK, Collage for 3, for Piano, Clarinet and Flute, 14'-

dedicated to Trio Sonor.

1994                 IN DIE LUFT, for 5 Flutes (also Picc., Bassfl.) 4’

                         first creation: Konservatorium Bern, 1994

1993                 SELVA D’AMOR, for Soprano, Flute, Oboe, Clarinet, Viola and Violoncello, aprox. 10'

Poems: Sybilla Aleramo. First creation: Bern, 1993, conducted by the compser herself.

                                              Un dono eri degli Dei…
                                              Era il tuo riso…
                                              Baci sulle mie mani….
                                              A cieli marini…
                                              Fauno
                                              Anno di gloria
                                              Ghirlande
                                              Angoscia


1993                FÜNF KANONISCHE ZUFÄLLE, CINCO CASUALIDADES CANÓNICAS, Stringquartett, 9'

                         first creation: Bellevue Hotel Konzertsaal Bern, October 1994

1993                    LA TORRE DE BABEL for 8 Celli, aprox. 9' 

Comissioned by and for the Violoncello Class of Prof. J. Bühler, Konservatorium Bern. First creation: Villa Unspunnen, 1994.

1992                 DREI VERSUCHE FÜR OBOE UND KLAVIER,  Oboe and Piano, 8’

                                         Strecke
                                         Abgrund
                                         Hohes Kreisen


1992                 TANGO, ein musikalisches-literarisches Cabaret,

Comissioned by Laientheater Burgdorg, Herr Schmutz, Lyrics by H. Schürer.

Piano, 2 Flutes, Percussion, Choir, Solo Soprano, Solo Tenor, aprox. 30'

1991                 SONATE FOR CLARINET AND PIANO, 12’

First creation: Konservatorium Barcelona, 1991, Pere Gil Clarinet, Piano: the composer herself.

Also played: Qwatt, Switzerland, Dezember 1992; Tenerife Konservatorium, 1998 with Pier Luigi Bernhard Clarinet, and Ascnsión Manzano Piano. Recording Rals.

1991                 TRIPTIC A ÇINC, revision 2008

first creation: Madrid, CDMC, 2009, Sonor Ensemble, conducted by Luis Aguirre

1991                 DE PROFUNDIS, Psalm 129, for Choir, 7'

1990                 LA VERITAT, for Solo Voice and Stringquartett, Poems by Joan Teixidor, aprox. 5'

1990                 MOVIMENT PER CORDES, for Stringorchestra, 7’

1989                 TRES PEçES PER PIANO 4’

                                                   Adagio
                                                   Allegro
                                                   Largo


1989                 MISA, for Choir

Revision, with Organ/Piano in 1998

first creation: 17. Mai 1998, Dreifaltigkeitskirche Bern, Choir of the University Bern, conducted by the composer herself, in a priest consagration celebrated by the Bishop.

                                               Kyrie
                                               Gloria
                                               Credo
                                               Sanctus et Benedictus
                                               Agnus dei

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My music, 
my present to the world.